Artist Support Pledge

Dark Skies

UPDATE: Many of these work are now available as open edition fine art prints from £40 from my Saatchi gallery profile page with world wide shipping.

I'm a self-confessed Instagram fan. As an artist, I love the visual interface for sharing and admiring the work of others. Over the last weeks, I have been made aware of the artist support pledge. This was started by artist Matthew Burrows, who encouraged artists to support each other and sell affordable artwork during the Covid19 Lockdown.

Abstract Landscape II

The premise is simple. Artists sell pieces of their work for less than £200/ $200 (not including shipping). When an artist has made £1000 from sales they pledge to buy another artist's work for up to £200.

Blue Seas, Blue skies

I've decided to take part in this pledge. These pieces are all available framed (until I run out) at £120 including UK postage. Each of these pieces are approx 20 x 20cm mixed media piece on paper and are part of my Seaspace collection.

Abstract Landscape I

Seaspace is a body of work that celebrates the coast of North East England, where I live. These pieces represent the Sea and local landscapes that bring me joy and life. The sunlit sparkling water or the dark stormy sea and sky. It's a place I call home.

Abstract Landscape III

Abstract Purple Landscape

Blue Skies Over land

Storm

I breathe in the sea

Burdastyle Waistcoat - Looking swell.

Ever since I made my wide-legged wool trousers back in the winter. I had wanted to make an accompanying waistcoat. I'd thought about a jacket, but there wasn't enough fabric for that.

So off I went, hunting through my stash of Burdastyle magazines until I found this pattern. It's #134 from 12/2012. The only image I can fin on line is for the pattern that includes sleeves - which is #135. It's basically the same pattern though.

Unusually for a waistcoat, I cut the outer back piece from the main fabric rather than from lining fabric. I made the size 38 - which is my usual size in Burda and the fit was pretty good. I have a small waist and often need to adjust patterns here, so on this pattern, I increased the width of the darts to give better back shaping - but that was the only alteration I made to the pattern. It's lined with lining fabric from my stash.

It was a good job I had some spare fabric as I made a massive mess on the welt pocket first time around. I followed Burdstyle's (rather sparse) instructions, but due to the fabric being prone to fraying and that I tried to rush and didn't interface properly the welt turned out to be a real mess.

So I recut the front pieces - just enough fabric left. I then used a tried and tested way of making welt pockets - using a similar technique to a bound buttonhole. This gave a much better finish and I've pleased with the result.

I have a bit of a buttonhole sewing session and then photography session the other week. This was done apart from the buttonholes at the start of lockdown, but as I had a few projects to sew buttonholes on I used the one-step buttonhole function on my Janome. I was a little concerned that the fabric would be too thick for the machine, but it handled it well. One buttonhole went a little awry, so the stitch unpick got a bit of use and it was not easy undoing stitches on this fabric.

Overall I'm very pleased with the effect and I like the waistcoat. I can't see it getting much wear at the moment though. as even when I'm at work we are dressing casually and it will be too warm to wear soon. Wearing will have to wait until the autumn I feel. It has a long line and I think it will look great with long dresses. It does emphasise my long torso and It might have been a good idea to make it a little shorter.

Pussy Bow Saraste Shirt

Late last year, when I was thinking about my sewing plans for this year, one of the items I wanted to sew was a pussy-bow blouse. I had scored the Sew Over It Pussy Bow Blouse at a pattern swap and really did think that it would be the way to go. However, after making up a muslin, I didn't like the neck opening and the thickness of the bow. I wanted something more substantial, more wearable and versatile.

I had made the Saraste shirt dress from Breaking the Pattern by Named clothing last year and knew that the fit was pretty good. I decided to use this as my base pattern and set to tracing out the additional pieces in my size (3).  I made the basic shirt and then cut a long tie to make the bow. This slows me to wear it with or without the bow as the mood takes me and give a more versatile piece of clothing.

My hubby had bought me this beautiful bamboo silk from Raystitch for Christmas and I knew that this was the right fabric to use. I had originally seen this fabric when on a course in London near the Raystitch shop and I called in between my course finishing and my train home. This fabric has a beautiful hand, it's drapey but presses well. it doesn't really fray but creases a. lot. I used very lightweight interfacing for the collar, button stand and cuffs.

I followed the pattern instructions for the shirt and it came out really well. I did manage to stretch out the shoulders a little bit when sewing them, which is unfortunate, but I can live with it. (truth be told I can't be bothered to take it apart and redo it). The sleeve has quite an odd construction. Whereas a normal shirt has an underarm seam and then a sleeve placket cut into the sleeve; this design has the seam at the back of the sleeve and a vent is formed by turning under the open edges at the bottom of the sleeve before adding the cuffs. In my opinion, this is not the best way to construct a sleeve and if doing it again, I'd adapt the sleeve to be more like a normal shirt pattern.

I had made most of this shirt way before lockdown, but then it got busy at work and I didn't have time to complete it. I needed to buy matching buttons but the week before lockdown I was on a residential all weekend with children from my class so I didn't get the chance to buy any. However a few weeks ago I had bought some self-cover buttons for a wedding dress I'm making, but the fabric was just not behaving and I couldn't use them for the dress. The bamboo silk, however, was perfect for self-covered buttons and I spent an evening making them up. Then the project sat and waited for a few other things to be almost completed before I made the buttonholes. I usually use my Bernina for all my sewing, but my back up machine is a much newer Janome with a one-step buttonhole function. I spent the second Saturday of lockdown finishing off a few projects and doing a mammoth buttonhole making session. I'm always a bit nervous when making buttonholes as they are a nightmare to remove if they go wrong. Everything went well and all the buttonholes on the blouse turned out well - phew!

This blouse has been hung up waiting to be photographed for 3 weeks, I finally got around to doing it today. While I love, love, love the bright blue skies and sunshine we've been having. it does cast strong shadows on our back yard. So today's bright, but overcast weather was much better for taking photos. I dragged my hubby out to act as photographer - as usual, and here we go - blogged item of clothing!!!!

I doubt I'll be wearing this much in the next few weeks, it might get some wear if lockdown ends before the weather gets too warm, but I think once we get to the autumn, this combo of the pussy-bow blouse and my wool wide-legged trousers will get plenty of wear, especially at work. I'm glad I went with this combination as I have so many different ways to wear it.

Gelli printing - finally getting to grips with it

Earlier this week my daughter asked if we could have an art day. She took Art at GCSE last year but hasn't really done much since. Initially, she wanted to join me in printing. Then she decided that she wanted to overpaint a portrait she did last year. However, when she saw I had some big paper she decided to draw a simple outline portrait of her favourite member of the group 'Road Trip'. (It's a teenager thing!)

So off she went with her drawing, asking for a bit of help now and again and I started with my printmaking. I think if I were to go and do my Art education at this point in my life I'd do print. There is something so immediate and unexpected about the outcomes and with mono-printing it a far more painterly technique - which suits me down to the ground. I think at some point I would love to find out more about local artist Rebecca Vincent's technique as its very controlled, she uses many layers and a big printing press. I work on the dining table and I don't have a press!

I usually use oil-based block printing inks, which have a long working time but can also take several days to dry. I was drawn to trying a Gelli plate as I had read that you can get a really nice print from them just using acrylic paint, but they are not suitable for oil-based inks. So a couple of years ago I had a Gelli plate for Christmas and give it a try, unfortunately, I was rather disappointed with the results. I used a lot of paint and it dried so quickly it was almost unworkable - this was a real shock when I'm so used to the long working time you have with oil-based inks.

Last year, when on a course for work I was introduced to block printing medium and textile medium. The block printing medium is added to the paint in equal amounts and extends the working time and gives a better print consistency. I tried this out with traditional monoprint techniques and a small press and it worked very well. My mum bought me some of the block printing medium for last Christmas and today was the first time I've given it a go. It was the perfect day to print with this technique as it was warm enough that I didn't need the heating on, but cool enough so that the paint wouldn't dry out too quickly.

I had no plan for what type of prints I was going to make. It was purely an opportunity to experiment with techniques and materials.

I set up my work station with a range of different papers, collage materials, rollers, spatulas and cloths. I also set up the clothes airer to dry the prints on.

I found that it's quite easy to layer the prints - mainly as the paint dries quickly. I also quite like that the paint can layer on the plate and this can create some interesting effects. I used a few stencils and other items for masking out areas but found that they're not as effective as my normal method. What I did like was the painterly quality you can get with this type of printing. and I liked being able to draw into the ink with the spatulas and create different effects.

Overall I'm pleased with the results and I created over 30 prints. Most of these will form collage materials, which will be layered and cut to create other artworks. One or two of the pieces work well on their own and some of the others will need working back into with other art materials to make them into something I'm happy with.

I still think I like the oil-based inks best, but I can clean this lot up and have it all away by the end of the day - which is a bonus when there are 5 of us in the house and space is at a premium. Which of these do you like best?

Pattern Haul

Way way back, in the distant time that was before lockdown - Ok I mean February- I scored a whole lot of sewing patterns on Freecycle. I had a lovely chat to the lady I received these from, only to discover despite living up here in Northumberland, she was originally from a town local to where I grew up, some 180 miles away - it's a small world, isn't it?

Anyway - back to the haul. I was gifted a large plastic bag of patterns mostly from the '80s. But as we are seeing a resurgence of 80's music and fashion I'm pretty sure some of these will come back around very soon, if not already in there. I did give some of the easier patterns to a friend of mine who is just learning to sew. there are some magazine patterns too, mostly from Prima. Also included was the pattern sheet/ instructions from a 1984 edition of Burdastyle magazine.

I thought I'd review these here and ask you for your opinions about them. I may give some of these away as some are not in my size/ not my style. Anyway here goes...

First up - stuff I might actually make.

Vintage Simplicity 7687, circa 1968. I love the simple lines on this one, but its a single size and my waist/ hips don't match this size. I'm going to have a look at grading this to fit.

 

Vintage Maudella 5812  - 1970's, but not sure which year? (Maudella were the forerunners to New look patterns) I love this but I am gutted that there is a skirt piece missing. I'm sure I can draft one to match - again I need to check the size.

 

Vintage Butterick 5852, this one is 1972. I love the Jumper dress. Personally, I like the long version, but the short version could be cute too, maybe paired with wide trousers rather than flares. This one should fit.

Vintage Simplicity 7498, 1968. I love this wrap skirt and may have a go with some denim I have in my stash - again I'm going to have to grade up I think. I like the version with the buckles.

Next up are the patterns that I could be tempted into making at some point, but I have some concerns about.

McCalls 8926, 1984. There is definitely a Jumpsuit trend still going strong. I quite like this, but think that it could be a bit too wide across the shoulders. It also reminds me of a uniform I had to wear at work in 1989. 

 

Maudella 5955, again the 1970's. I quite like empire line dresses, but am always concerned that they can make you look pregnant when you're not - could be a good maternity pattern in the right fabric. - not for me though.

New Look 6277, 1980's Simple shirt dress - nothing wrong with this, I've just got patterns I prefer.
Butterick 3353. The 1980s - the same.

Simplicity 5161, 1981 - This is so on trend - think Wilder Gown. It looks quite nice in the light floaty fabric, but again, unless you want to look pregnant... or you are pregnant...

 

Simplicity 6395, 1980's Looks a lot like the In The folds jumpsuit from Peppermint magazine. Probably won't make this one.

  

Style 4092, again 1980's Simple boxy top - good for beginners I think -might make, or use it as a teaching pattern for my daughter. 

 

Burda 7163, 1980's - again on-trend, not sure it's my trend but my kids might like this one.

Finally, those that I really wonder why someone would ever make a sewing pattern for. There's a couple of maternity patterns in this lot - if you'd Like them, let me know and I can post them out - UK only.

Maternity Patterns - the Maudella one is ok, but the other one...

 

No shape patterns - although the cold shoulder is ok.

Shapeless and oversized - love it

Ruffles and gathers and a plunging neckline - no thanks

 

This is actually ok - but rather shapeless - good for someone new to sewing.

 

 

Quite like a trenchcoat - but this looks very oversized - I don't think I could cope with those shoulders.

 

 Inoffensive, bland.

So do you have a pattern stash? Any suggestions for what to do with some of these? I feel a trip to the charity shop might be in order once lockdown is over. Can't wait to try some of these though.